* 100% Windows '95 compatible sound card required * 16 MB RAM required (32 MB RAM recommended) * Pentium 90 processor (133 MHZ or greater recommended) * Windows '95 compatible computer system, requires DirectX 5.0 (included) If you have any questions/problems with this demo, the solution will hopefully be listed below. If you experience any problems with your 3D accelerator graphics card, please refer to the manufacturer for updated drivers.īelow is the latest README file from the full version of TOMB RAIDER II. *NOTE: This demo does not include gamepad/joystick support. SHIFT Walk (when used with the arrow keys) Hennig continued: 'I wasn't quite sure what my role was going to be anyway, so I thought, 'Well, this is obviously the universe telling me something' so I took Evan's offer and came to Naughty Dog.This is a portion of the VENICE level from TOMB RAIDER II.ĬTRL Action (shoot or climb) Also use this key to open/close the Passport. I'm obviously not going to direct Tomb Raider.' So there's little irony that I ended up making Uncharted.' 'And so, I kind of felt like, 'Well, maybe this is a timely offer from Evan, then. 'The thing is, of course, that Eidos was very protective of the franchise and very concerned that they needed to revive it, and they felt that they needed to bring in somebody new from outside – in this case, it was Doug Church – to head up the project of taking on Tomb Raider.' 'That was part of my decision process to say, 'what's happening with that? Is this something I can be involved in?' ' 'It was during that time that there was a transition with Crystal Dynamics, where it was clear they were taking the Tomb Raider licence away from Core,' she said. See Brothers for how its dual analog control scheme uses gameplay as a means of storytelling. I like games that can capture the essence of a situation or of roleplaying as a character through controls and gameplay. Much like an adventurer carefully creeping through an ancient unknown tomb, watching their step, making desperate leaps onto crumbling structures, your traversal in Tomb Raider mirrors that cautious deliberate approach. Uncharted, the new Tomb Raider, etc capture that classic cinematic fantasy of exploring ancient ruins and tombs through the atmosphere and visuals and scale, but classic Tomb Raider also does it through controls. The movement and level design really captures that feeling of poking and prodding in these unknown places, carefully planning your next move, gamifying the caution and observation of an Indiana Jones or other adventurer, rather than simply having you fluidly race along obvious routes. Controls are defined by their intent and by the design of the game in which they're implemented.

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